Pamela Taylor Tongg, Artistic Director
Click here for Ms Taylor Tongg's bio.
performed as a professional dancer for over 18 years. She has worked
in Regional Theater, First National Tours and on Broadway. She has spent
many years teaching all forms of dance and is excited to join the
at Ballet Hawaii.
Nataliya Andriyevska, is originally from Ukraine where she
received her choreographic education from Kherson Cultural College,
Ukraine. She began her career with various venues touring throughout
Ukraine, Bulgaria, Lebanon, Greece and Macedonia as a ballet, historical
ballroom, musical theater, modern and character folk dancer.
Since Nataliya moved to Hawaii in 2001, she has been involved as a
dancer, teacher, and/or choreographer with Hawaii Opera Theater, Army
Community Theater, NIX PAC, Mardi Gras Follies, and Honolulu Academy of
Since 2006 Nataliya has had the pleasure of teaching creative dance
and ballet classes for beginners, and also character dance during Summer
Intensive at Ballet Hawaii in Kapolei, Wahiawa, and Honolulu.
Sara Cobble has
been a Zumba instructor for three years and is licensed in Zumba and
Zumba Gold and holds a specialty in Zumba Core. She is trained in
ballet, hip hop, jazz and modern dance and has danced and competed
nationally for the University of New Mexico and Hawai'i Pacific
University dance teams. She is also a former Hawaii Professional
Football League cheerleader and dance instructor for Universal Dance
Association. Sara is a certified primary group exercise instructor by
the Aerobics and Fitness Association of America and is currently working
on earning her Personal Trainer certification with the National Academy
of Sports Medicine. She holds an M.A. from Hawai'i Pacific University
and B.A. from the University of New Mexico.
Hargrove - began her training at the School of American ballet. In 1993 she performed
with the New York City ballet in its Balanchine celebration. The following year, Ms.
Hargrove graduated from the High School of Performing Arts and joined the Miami City ballet
where she performed various soloist and principal roles. During this time, she performed in
Washington D.C. at the Kennedy Center Honors for President Clinton and other distinguished
guests. In 1998, Daphne left Miami to become a founding member and principal dancer with
During the next four years in North Carolina, she created many principal roles in
world-premier ballets by renowned choreographers such as Lynn Taylor-Corbett and Robert
Weiss, as well as being featured in many class works. Her repertoire includes Balanchine's
Rubies, Concerto Barocco, Who cares, and Steadfast Tin Soldier, Anthony Tudor's Lilac
Garden, Jose Limon's Moor's Pavane, and Peter Martin's Valse Triste.
Ige received his early ballet training with Rhonda Kimura
from 1969 -1971. From 1975-77, he studied with Professor of
Ballet Yasuki Sasa at the University of Hawaii Manoa, where he
developed his skills and appreciation for ballet. He danced the
principal roles in “Paquita, Ocean and Pearl and Firebird.”
Mr. Ige joined the Honolulu City Ballet in August 1977, first
as an apprentice then as a company member in February 1978.
WillieDean performed as soloist and principal in featured roles
including Sir Fredrick Franklin’s Coppelia, Michael Utoff’s
Nutcracker, Patrick Franz’s Street Songs, Atilla Fizare’s Shubert
Songs, Paddy Stone’s Strike Up The Band, Tessa Magoon’s Hawaiian
Medley, Nel Fuson’s Prince Igor, Earnest Morgan’s Olomana Suite
and Koi. Other works included Sleeping Beauty, Swan Lake and
In 1980, he co-founded the Hawaii Ballet Theater with Charlys
and Dennis Ing where he co-directed and co-choreographed the
company’s early repertoire including the Hawaiian version of
well-known classical stories such as the “Ka Manu Ahi (the
Firebird), Pekelo & Pua’a (Peter and the Wolf), and La Boutique
Fantasque (Toyshop Fantasy).” Other ballets included “Nutcracker,
Cinderella, Mid-Summer Nights Dream, Stars & Stripes, Still and
several original commissioned works. During this time, WillieDean
and Charlys toured and performed in the “Artist in the Schools”
program. They were featured guest artists with the Honolulu Youth
Symphony, Honolulu Symphony and the Royal Hawaiian Band for many
WillieDean traveled abroad to Japan where he danced the
principal roles in “Les Sylphide (1985) and La Sylphide (1987) at
Japan’s famous Shinjuku Bunka Theater in Tokyo Japan. He also
travelled and studied in New York with Wilhelm Burmann at Steps
on Broadway, David Howard of the Harkness School of Ballet,
Vladmir Dokoudovsky New York Conservatory of Dance/Ballet School,
and Alvin Ailey American Dance Center and School in 1986.
From 1986-88, WillieDean instructed students in dance at
Iolani School. He performed at the Diamond Head Theater under the
direction of the late Jim Hutchinson in the musicals “Carousel
and Oklahoma.” That same year, WillieDean performed in the
production of “La Cage Au Faux” with celebrity impersonators from
various parts of the country. In a collaboration with his
long-time friend and mentor, Earnest Morgan, WillieDean would
choreograph Hilo’s version of the “Hawaiian Nutcracker.”
In 1988, WillieDean began working with the Friends of the
Ballet and Ballet Hawaii under the direction of Pamela Taylor-Tongg. While working with Ballet Hawaii, WillieDean danced the
featured role in an original ballet choreographed by Mathew
Wright with music by takashi koshi titled “Urashima Taro.” He was
also featured in Sonya Arova’s Giselle, Tom Paizak’s Carmen and
Romeo & Juliet. WillieDean continues to perform as a local-borne
danseur in Ballet Hawaii’s annual Nutcracker. He loves teaching
and encourages his students on the intricacies of ballet in the
Kurashige received her early training at Ballet Hawaii,
under artistic director Pamela Taylor Tongg, where she
performed in works choreographed by Peter Rockford Espiritu,
Minou Lallemand, and Marie Takazawa.
This past April, she
graduated with a B.F.A in Dance and a Minor in Psychology at
Belhaven University. While at Belhaven, she had the privilege
of working with choreographers Ryan Corriston, Randall Flinn,
Dorrell Martin, Caleb Mitchell, Cynthia Newland, Stephanie
Powell, and Laura Morton-Zebert, performing in various pieces,
including Donald McKayle’s historical work, Songs of the
Additionally, she has furthered her
training at workshops with Ad Deum Dance Company and Doug Varone and Dancers, as well as at the 2012 American Dance
Festival, where she gained practical experience in technical
theater as a stagecraft apprentice. In the future, Elisabeth
hopes to pursue a Master of Arts in Dance/Movement Therapy,
blending her love for dance with a desire to integrate the arts
into our society as a practically and aesthetically valuable
means of reaching local communities.
Lallemand graduated from the New York High School of Performing Arts and the Joffrey Ballet
School. She has danced solo and principal roles with Ballet Arizona, American Repertory Ballet,
Ballet Chicago, Eglevsky Ballet, Sacramento Ballet, and Ballet Hawaii and performed with The Phantom
of the Opera national tour and the Radio City Christmas Spectacular.
Minou currently teaches for Ballet Hawaii, Queen Emma Ballet, Pacific Youth Ballet and Drill Team
Hawaii, and has been a guest teacher at the Virginia School of the Arts. She has created works for
Ballet Arizona, the New Choreographer's on Point Workshop, Chamber Music Hawaii, and is the Artistic
Director of the Onium Ballet Project.
Amy Leon began her formal ballet training in Dallas, Texas, under the direction
of Ceyhun Ozsoy, former Ballet Master of the Ankara National Ballet Company.
Upon graduation, Amy moved on to train at Belhaven University where she
graduated Magna Cum Laude with a Bachelor of Fine Arts degree in Ballet with an
emphasis in performing and teaching and with an English Minor, having twice
received the Bezalel Award for artistic achievement.
She then became a company artist with Collin County Ballet Theater in Plano,
Texas, performing lead roles including Swanhilda in Coppélia. Next, Amy
danced with Ballet Nouveau Colorado, where she performed roles including Snow
Queen and Sugar Plum Fairy in The Nutcracker, among many other
Additionally, she has performed as a guest artist with Boulder Ballet, San
Antonio Metropolitan Ballet, and California Ballet Opera in classical works such
as Cinderella, The Sleeping Beauty, and The Nutcracker. Amy
has also taught dance for many years including creative movement, pre-ballet,
pre-tap, pre-jazz, ballet, pointe, character, conditioning, and ballet history.
She has worked with students from one-and-a-half years old through adults.
Luster has Co-Directed/Choreographed (DHT) Diamond Head Theatre’s
Titanic which has been honored with several Po’okela Awards including
Best Musical and has also been honored with a Po’okela Award for her
choreography for (ACT) Army Community Theatre’s Damn Yankees. She
has directed and choreographed Manoa Valley Theatre’s Footloose,
co-directed & choreographed Hawaii Theatre Center’s The Snow Queen
and Wishes & Wings, choreographed Jim Nabors & Friends
Christmas Show at Hawaii Theatre, Kaimuki High School Performing Arts
Center’s Violet, Grease, Little Shop of
Horrors, West Side Story, South Pacific, ACT’s
Camelot and HTY’s Konatown Musicians.
She also has stage managing credits at KHSPAC and Diamond Head Theatre. She
teaches Creative Dance at Kaimuki High School and also teaches contemporary jazz
at DHT, and DHT’s Shooting Stars. Her performing credits include Ballet Hawaii’s
Nutcracker & Swan Lake, HOT’s Rigoletto,
MVT’s Cabaret, and numerous DHT shows such as Phantom,
Cinderella, Carousel, and of course, Titanic (Po’okela
- Ensemble). Deanna is a certified Reiki Master, Integrative Quantum
Medicine, Ancient Rainbow Conscious Healing Master Practitioner and a recent
graduate of Sacred Path Healing School. She is currently working towards a
Contemporary Jazz Dance is a fusion of jazz, modern, ballet and theatre dance
styles. A strong foundation is built on developing knowledge of dance vocabulary
with the support of a warm-up of stretching, conditioning, technique and
choreography. You will gain alignment, strength, flexibility, coordination,
discipline, vocabulary, musicality, and most of all express yourself through
Mathias Maas started his theatre career in fourth grade in Missoula
Children’s Theatre’s production of Cinderella. He holds an undergraduate
degree in Theatre and Communications from Concordia College, Moorhead Minnesota.
Currently a teacher at Diamond Head Theatre's Musical theatre experience, he has
also worked at Honolulu Theatre for Youth for 8 years, assisting with their
youth theatre programming such as Young at Art, and their Summer Session
He has taught Punahou summer school, Intro to Drama. Mathias is a
member of the dance-mask-theatre troupe Monkey Waterfall, a member of Hālau
Mōhala ‘Ilima, and a regular actor-improvisor for the Murder Mystery Dinner
Theatre at Dave & Busters. Recent performing credits include August: Osage
County (MVT), Around the World in 80 Days (MVT), Ibsen’s Ghosts
(TAG), The Sound of Music (DHT), The Reindeer Monologues (HRT),
Frost/Nixon (MVT), A Midsummer Night’s Dream (HSF), King Lear
(HSF), and The Joy Luck Club (KKT).
Raven Matsushita has been dancing since she was 4 years old with Ballet Hawaii.
She has danced almost every role in our annual Nutcracker and Spring Showcase
productions. She has attended 9 of our Summer Intensives and was recently
cast in Septime Webre’s 2013 production of Cinderella as a Rose, Ballroom
Lady, and Siamese twin. Other Summer Intensive performances include Septime
Webre’s Alice in Wonderland and Peter Pan, Robert Weiss’ Romeo
and Juliet, Giselle staged by Robert Barnett, and Coppelia
staged by Magaly Suarez.
Raven was also involved in Kaimuki high school Performing Arts Center’s
productions of west side story, A Funny Thing Happened on the
way to the Forum, Little Shop of Horrors, and Whasup Fables.
Her Community Theatre debuts include Paliku’s Phantom of the Opera,
Hawaii Opera Theatre’s Pearl Fishers and Turnadot, Onium Ballet’s
Appalachian Spring, La Revue de Cuisine, Clocks, and
Raven recently graduated with dual Associate Degrees in Patisserie and Culinary Arts from Kapiolani Community College. Raven is looking forward to teaching for Ballet Hawaii at the Nu’uanu
Hongwanji after school program
Jennifer began dancing at age 13, and received her
formal training at Oklahoma City University, where she received a
Bachelor's in Performing Arts in Dance Performance. While at OCU, she
danced for four years with the "American Spirit Dance Company," danced
and choreographed for the school's annual Choreography Show, performed
for the first annual Oklahoma Regatta, and performed in the nationally
televised Oklahoma Centennial Spectacular.
Her studies at college include ballet, jazz,
tap, pedagogy courses in all three, musical theatre dance,
anatomy/kinesiology, choreography theory, and pointe.
Her other studies include NYC "Spamalot" master
class given by cast members, "Legally Blonde" master class given by
the show choreographer, "Rockettes" master class given by the
Rockettes, and Tremaine Dance Convention 2009.
Ballet, was an apprentice for Hawaii Ballet Theater and performed in their Nutcracker (Chinese,
Spanish, Mirliton, Snow, and Flower), Cinderella, Fire Bird, Hansel
and Gretel, and Coppelia. She has also danced for the University of
Hawaii Rainbow Dancers, Hawaii Dance Connection (contemporary
ballet/jazz), Show People Hawaii (jazz/tap), and Aloha:The Musical
(under the direction of Joe Layton). She trained locally under Rhonda
Kimura, Yasuki Sasa (UH), Jan Fujit-Clark (from Ballet West), Alaine
Haubert (from ABT), and Willie Dean Ige. She also taught ballet at
Rhonda Kimura studio.
Tere graduated from the University of Hawaii at Manoa with a BA and
MA in Communication. She has taught at the University of Hawaii at
Manoa, Kansai Gaidai Hawaii College and for Chaminade University evening
program. She now teaches first grade at private school in Pearl City.
Nanilisa Pascua, Vocal teacher, received her BA degree in Music from the
University of Hawaii with concentration on voice in 1981. She has sung with many
school-related, community, and professionally run companies. She is a long time
music educator teaching in the perochial school system for over 30 years,
teaching general music, chorus, and doubling as director and music director/choreogropher
for many school related shows. Currently she teaches singing and vocal coaches
at the Craig Young School of Music.
Ms Pascua helped develop the Musical
Theatre Experience educational program for young people at Diamond Head Theatre
from its inception, teaching the summer session for many years and continues to
teach the year-round version in addition to her Broadway Ensemble Singing
courses. She is also Music Director for the acclaimed Shooting Stars program for
young people where students audition to get into the program and participate in
the song and dance intensive program, performing for various projects, both
public and private, and putting on selected musicals mainstage like LITTLE SHOP
OF HORRORS, DAMN YANKEES, CINDERELLA, INTO THE WOODS, and most recently
Ms Pascua has served as Music Director for various projects at Diamond Head
Theatre, Manoa Valley Theatre, Moanalua High School, Kapolei High School
Performing Arts Center and most frequently with the Kaimuki High School
Performing Arts Center mounting musicals like GREASE, WEST SIDE STORY, ONCE ON
THIS ISLAND, THE PIRATES OF PENZANCE, FLOWER DRUM SONG, THE WIZ, LITTLE SHOP OF
HORRORS, and SOUTH PACIFIC, just to name a few. Ms Pascua is happy to be
teaching for Ballet Hawaii.
Ushijima Quong received her early ballet training in the states of Oregon, Montana, and
Washington. Her most extensive training was with Madam Gabriella Darvash in New York City.
While in New York, she was co-founder and co-director of the professional company,
BalletWorks, Ltd. and later became a teacher and resident choreographer for the Ulster
Ballet Company in upstate New York.
Her works were shown in New York City, and in Hawaii, with Danceworks, The Dance Company,
Big City Studios and the Honolulu Dance Studio. She presently is associated with Ballet
Hawaii and teaches mainly at the Leeward branch in Wahiawa.
Pam Sandridge is a dance/choreographer/producer and has worked with
entertainment artists in Hawaii since 1974. She has instructed Jazz
dance classes at Punahou Dance School, Honolulu Academy of Theatre Arts,
Kamehameha Dance Theatre, University of Hawaii Rainbow Dancers, and her
own companies - The Jazz Factory and Big City Productions.
In 1999 she was certified by The PhysicalMind Institute
in Pilates Method Mat and Equipment. She is also certified in a method
called "Bones for Life" by Ruthy Alon, the Feldenkrais practitioner who
created the work.
Under the COREography, she utilizes her training from
these modalities, fused with her dance experience, to inspire movement
with reduced effort and a dialogue of heightened awareness between mind
Elyse M. Stevens, born and raised in Hilo, began her study of
dance at Island Dance Academy at the age of 4. In 2006 she began
teaching ballet, pointe and jazz at IDA and has choreographed for
several of their annual productions. In 2004, Elyse studied and
performed at the University of Hawaii at Hilo’s Dance Ensemble and in
2008 she graduated from the University of Hawaii at Hilo with a Bachelor
of Arts in Performing Arts - Dance Emphasis.
Elyse has also instructed dance classes and workshops at the Gull Pointe
Community Center in Pensacola, Florida and through the CCECS program at
UH Hilo. In 2012, Elyse recently earned her Masters of Fine Arts in
Dance at the University of Hawaii at Manoa. During her MFA candidacy,
she performed in several Footholds and Mainstage productions and
instructed beginning ballet technique to the students of the university.
Marie Takazawa - began her dance training in Hawaii. She studied and performed at the
University of Hawaii at Manoa, with Dances We Dance Company and Hawaii Dance Theatre. Moving
to New York she performed on Broadway, with the Uncompany as the lead dancer in the Yul
Brynner production of The King and I, and in a tour of The King and I,
starring Rudolph Nureyev.
Returning to Hawaii, Takazawa was co-director of Danceworks Honolulu, which was selected
as the 1994 People’s Choice Awards "Best Dance Company."
Ms. Takazawa is a freelance
choreographer and teaches jazz, ballet, modern and street dance at local dance studios and
fitness centers. She is presently Ballet Mistress and resident choreographer for the Tau
Dance Theatre and on the faculty of Ballet Hawaii.
Hina Torres de Sa began dancing at age 13 with Simeon Den and Marie Takazawa at the innovative Danceworks studio in Hawaii which gave her a very creative
and free start in jazz, ballet and modern technique.
She attended the Ballet West Summer Dance Program in Colorado and then formally trained under Alaine Haubert at the University of Hawaii.
She has performed and choreographed in a variety of local productions: Danceworks “Hot Feats” concerts; Lead Arabian in HBTY’s Nutcracker; “the Cat” in Mathew Wright‘s
Peter and the Wolf; the Hurricane Review, Spats Passion Dancers, the Dick Jensen Show; Kaimuki Dance Theatre; lead dancer in live TV for the Hawaii Scholarship Pageant; and
UH Spring Dance Concerts including Pas de Quatre under the direction of Alaine Haubert. She choreographed for Mame at the Fort Shafter Army Theatre, and Hair for the
Diamond Head Theatre for which she earned a Po’okela Award.
After 15 years of dancing, she channeled her athletic energy into
triathlons and completed 3-Ironman distance races in Brazil, Austria and
Hawaii. She also earned a masters in European Languages and Literature
and teaches French. Dance has always still been the love of her life and
she enjoys passing on her enthusiasm for it in her teaching!
has a Bachelors degree in Marketing with a minor in
Dance from the University of Hawaii at Manoa. She trained with Nolan Dingman in
Orlando, Florida in the late 80s. She was the ballet instructor for the female
water-ski team at Sea World in Florida and The Columbus Dance Center in 1987, and
was the dance instructor at the American School in Japan for four summers in the
Over the last 13 years Yvonne has appeared locally performing in numerous
Diamond Head Theatre musicals, and productions for Lisa Matsumoto's Ohia
Crystal Yukumoto was born in Hawaii and began her classical ballet
training in Europe. She received her BFA and Masters of Education
degrees from Texas Christian University. She has danced professionally
with domestic and international dance companies such as: Ballet
Frontier, Commedia Ballet Theater, Contemporary Ballet Dallas,
Contemporary Dance/Fort Worth, New World Ballet, North Texas Ballet
Theatre, and Skånes Dansteater in Sweden.
Crystal has taught ballet at
various studios in the Dallas Fort Worth metroplex as well as for the
Swedish National Ballet School in Malmö, Sweden. She has also taught
ballroom dance through the Dancing Classrooms North Texas program, and
is a 500 hour certified yoga instructor. Crystal just got married and
has moved to Honolulu from Texas.
takashi koshi has been the piano accompanist for Ballet Hawaii since 1981. Before that
he was the music accompanist for The Cloudgate Dance Theater of Taiwan from 1979-1981.
He is originally from Denver, Colorado and has a Music Education Degree from Oberlin
Conservatory and Master's Degree in Music Performance in bassoon from the University of
He has received numerous commissions for his music compositions, and his one-hour ballet "Urashima
Taro" was performed in 2005 as the Spring Recital of Ballet Hawaii.
Koshi has done work intermittently for Ballet Hawaii since 1996 when he
first began training from his father as an accompanist.
He has worked
for The University of Hawaii Dance Department, On the Spot Improv & The
Pacific Ballet Academy. Art has also played with various local bands in
Honolulu and composed music for both Dance and Film.
Nagano, born and raised in Maui, began studying the piano at the age of
seven. She has participated in the Bowdoin International Music Festival,
Banff Piano Master Class, Beijing International Music Festival, Eastern
Music Festival, and Interlochen Arts Camp, where she later served as a
staff collaborative pianist. She also served as a piano intern at the
Castleman Quartet Program.
Ms. Nagano attended Interlochen Arts Academy and holds a Bachelors of
Music in Piano Performance from Northwestern University and a Masters of
Music in Keyboard Collaborative Arts from University of Southern