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Resident Faculty

Pamela Taylor-Tongg, Artistic Director

Nataliya Andriyevska, Ballet

Maria Jose Beltran, Ballet

Peter Rockford Espiritu, Modern Dance
website: taudance.org

Yvonne Yanigahara Goss, Ballet

Daphne Hargrove, Ballet

Jim Hutchinson, Tap

Minou Lallemand, Ballet

Brigitte Noguchi-Nakagawa, Ballet

Susan Quong, Ballet

Marie Takazawa, Jazz, Ballet

Tessa White, Ballet

takashi koshi, Accompanist
 


Ballet Hawaii offers a year round training program and has the reputation of combining outstanding master teachers from international companies with an experienced resident staff.

Pamela Taylor-Tongg established the current ballet-training program in 1986 with 13 students and now oversees a regular enrollment of over 300 students weekly.




Photo by Anne Mcelwain

A special Summer Intensive Program is offered annually featuring special guest teachers and a performance.

 

 Faculty Biographies:

Nataliya Andriyevska, is originally from the Ukraine where she received her choreographic education from Kherson Cultural College, Ukraine, majoring in ballet, historical ballroom dance, modern and character folk dance. She began her career touring with various venues throughout Ukraine, Bulgaria, Lebanon, Greece and Macedonia.

Since she moved to Hawaii in 2001, she has been involved as a dancer and choreographer in many venues around Honolulu, including Mardi Gras Follies, the Honolulu Academy of Arts, Hawaii Opera Theater and Army Community Theater and is currently involved in the Allure Dance Ensemble project as well as teaching creative dance and ballet classes for the beginners at NIXPAC and Ballet Hawaii in Kapolei .


Maria Jose Beltran, originally from Lima Peru, started her ballet training at the National Ballet School. After winning the Bronze Medal at an International Ballet Contest, she won a Houston Ballet Academy scholarship, followed by another scholarship with the Joffrey Ballet. Beltran then returned to Peru to dance with the National Ballet Company and was later encouraged to go to Europe to continue her career.

She danced as a soloist with the Statische Buhne Hagen, appearing in most of the classical ballet repertoire such as Swan Lake, Sleeping Beauty, Giselle, and Coppelia. In Chile, under the direction of Ivan Nagy, Beltran danced in numerous Balanchine Ballets such as Concerto Barrocco, The Four Temperaments and Serenata.

In Japan, she danced with Dance Works, a contemporary dance company directed by Nosaka Sensei. In Hawaii Beltran worked with Dances we Dance and now directs the adult ballet program and Pilates classes at Ballet Hawaii.


Peter Rockford Espiritu, Modern Dance, began his training in Hawaii and has danced professionally with several companies in New York before returning home where he has starred in numerous Ballet Hawaii productions for over 10 years.

As the director of Tau Dance Theater, Peter's company is the first local professional dance company to be reviewed in Dance Magazine and the first from Hawaii to receive the Lila Wallace-Reader’s Digest & Doris Duke Foundation grant.

website: taudance.org


Daphne Hargrove - began her training at the School of American ballet. In 1993 she performed with the New York City ballet in its Balanchine celebration. The following year, Ms. Hargrove graduated from the High School of Performing Arts and joined the Miami City ballet where she performed various soloist and principal roles. During this time, she performed in Washington D.C. at the Kennedy Center Honors for President Clinton and other distinguished guests. In 1998, Daphne left Miami to become a founding member and principal dancer with Carolina Ballet.

During the next four years in North Carolina, she created many principal roles in world-premier ballets by renowned choreographers such as Lynn Taylor-Corbett and Robert Weiss, as well as being featured in many class works. Her repertoire includes Balanchine's Rubies, Concerto Barocco, Who cares, and Steadfast Tin Soldier, Anthony Tudor's Lilac Garden, Jose Limon's Moor's Pavane, and Peter Martin's Valse Triste.


Jim Hutchison has worked as an actor, director, writer, producer and choreographer in theater, television and motion pictures for over 40 years. His work has taken him from Arkansas to a scholarship at the Balanchine School of American Ballet in New York and five Broadway shows. A half-dozen major films in Los Angeles followed this and finally a move to Hawaii. Along the way, there were touring, summer stock and television productions along with many feature films. Hutchison has worked with dozens of well-known personalities over the years and has gathered an impressive list of credits.

Hutchison spent eighteen years as Artistic Director of Diamond Head Theatre and established the Pacific Rim Playwriting Festival. He is a member of the National Society of Arts and Letters and serves on the local and national boards of the Screen Actors Guild and on the board of Ballet Hawaii.


Minou Lallemand graduated from the New York High School of Performing Arts and the Joffrey Ballet School. She has danced solo and principal roles with Ballet Arizona, American Repertory Ballet, Ballet Chicago, Eglevsky Ballet, Sacramento Ballet, and Ballet Hawaii and performed with The Phantom of the Opera national tour and the Radio City Christmas Spectacular.

Minou currently teaches for Ballet Hawaii, Queen Emma Ballet, Pacific Youth Ballet and Drill Team Hawaii, and has been a guest teacher at the Virginia School of the Arts. She has created works for Ballet Arizona, the New Choreographer's on Point Workshop, Chamber Music Hawaii, and is the Artistic Director of the Onium Ballet Project.


Brigitte Noguchi-Nakagawa, has studied classical ballet here in Hawaii. She has trained with John Landovsky and has been a member of the Junior Company.

Ms. Noguchi-Nakagawa has also performed with Ballet Hawaii and Hawaii Ballet Theatre. She has danced professionally with Asami Maki Ballet in Tokyo, Japan.

Currently, she is the director of Premiere Steps and enjoys teaching for Ballet Hawaii, Drill Team, and at local preschools here in Hawaii.



Susan Ushijima Quong received her early ballet training in the states of Oregon, Montana, and Washington. Her most extensive training was with Madam Gabriella Darvash in New York City. While in New York, she was co-founder and co-director of the professional company, BalletWorks, Ltd. and later became a teacher and resident choreographer for the Ulster Ballet Company in upstate New York.

Her works were shown in New York City, and in Hawaii, with Danceworks, The Dance Company, Big City Studios and the Honolulu Dance Studio. She presently is associated with Ballet Hawaii and teaches mainly at the Leeward branch in Wahiawa.



Marie Takazawa - began her dance training in Hawaii. She studied and performed at the University of Hawaii at Manoa, with Dances We Dance Company and Hawaii Dance Theatre. Moving to New York she performed on Broadway, with the Uncompany as the lead dancer in the Yul Brynner production of The King and I, and in a tour of The King and I, starring Rudolph Nureyev.

Returning to Hawaii, Takazawa was co-director of Danceworks Honolulu, which was selected as the 1994 People’s Choice Awards "Best Dance Company." Ms. Takazawa is a freelance choreographer and teaches jazz, ballet, modern and street dance at local dance studios and fitness centers. She is presently Ballet Mistress and resident choreographer for the Tau Dance Theatre and on the faculty of Ballet Hawaii.


Tessa White received most of her training in California and had the opportunity to attend intensive training programs including the Sacramento Ballet, Ballet Magnificat, and the Marin Dance Theatre. She was Principal dancer for the Placer Theatre Ballet and danced such roles as Sugar Plum Fairy, Snow White, and Alice in Alice in Wonderland. She was also Assistant Director/Choreographer for the Placer Theatre Ballet and had the opportunity to help stage many original and traditional ballets.

Tessa founded and directed Ballet Rejoice, a Christian Ballet Company which toured Northern California performing in churches, schools, conventions and other programs. At the age of 18 she combined her love for dancing and teaching when she opened up her own Classical Ballet School in Rocklin, Ca. The school grew to over three hundred students in five years and Tessa was able to train hundreds of dancers from beginning through pre-professional. In 2007 she got married and moved to Hawaii and is excited to be a part of Ballet Hawaii.



takashi koshi
has been the piano accompanist for Ballet Hawaii since 1981. Before that he was the music accompanist for The Cloudgate Dance Theater of Taiwan from 1979-1981.

He is originally from Denver, Colorado and has a Music Education Degree from Oberlin Conservatory and Master's Degree in Music Performance in bassoon from the University of Northern Colorado.

He has received numerous commissions for his music compositions, and his one-hour ballet "Urashima Taro" was performed in 2005 as the Spring Recital of Ballet Hawaii.

 


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